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“SoundMorph’s Dust and TimeFlux are essential tools in my sound design arsenal. These guys are making sound sculpting tools like no one else. Love SoundMorph’s stuff!"
Composer -
Peter Gabriel, Depeche Mode, NSYNC, Tori Amos, Madonna
- BT
“SoundMorph’s libraries are very well done and inventive. They are not only a lot of fun to listen through, but fun to use as well. The software tools are much more than libraries — they're library MAKERS. Keep 'em coming!"
Supervising Sound Editor -
Skywalker Sound, The Lord of the Rings and Hobbit trilogies, King Kong
- David Farmer
“SoundMorph libraries, such as Sinematic, Future Weapons and Users of Tomorrow, have become some of my go-to source effects for much of my work on trailers and animation. You simply can't go wrong with SoundMorph.”
Trailer Sound Effects Editor –
Transformers 4, Oblivion, Zero Dark Thirty, Star Trek: Into Darkness
- Russell Gorsky
“SoundMorph's effects libraries have quickly become an invaluable resource for me. They maintain a high level of quality, and more importantly, creativity. I am always pumped to see an email from SoundMorph announcing a new release, because you know it's something that will be awesome.”
Sound Effects Editor –
The Amazing Spiderman 2, The Hunger Games, Fury
- Lee Gilmore
